Members Only
Behind the Canvas: An Exclusive Art Talk with the Jurors of A Woman's Place-Framing the Future
Saturday, April 4, 2026
11:00 AM

A followup to the Juried Art Show, A Woman's Place: Framing the Future, this rare opportunity offers members and guests insight into the curatorial process and the

themes that emerged from art submissions. Jurors Dominique Clayton, Heidi Johnson, Shana Nys Dambrot will offer their thoughts on how shifting perspectives on

womanhood are documented, questioned, and celebrated throughout art. After the talk, the jurors and some of the artists from the show will be available to mingle.

Coffee and donuts will be served.

Our Esteemed Jurors Are:

· Dominique Clayton, an arts consultant, writer, and gallerist born and raised in Los Angeles

· Shana Nys Dambrot, an art critic, curator, and author based in Downtown LA

· Heidi Johnson, founder of HIJINX Arts in L.A., and known as one of the art world’s most dynamic publicists

A Woman's Place: Framing the Future will also be on display during an Opening Night Reception on March 19, 2026 and at the EBELL + LA Festival: Powered by Women

on March 22, 2026. Art may also be viewed by appointment or during other public Ebell events.

Ticket Info
Contact Information

If you have questions about this event, please email: tickets@ebellofla.org or call 323-931-1277 x 131.

Location

Entrance

741 S Lucerne Blvd.

Los Angeles, CA 90005

The views and opinions expressed by guest speakers and artists are their own and do not necessarily reflect the official position or opinions of The Ebell of Los Angeles.

Members Only
Behind the Canvas: An Exclusive Art Talk with the Jurors of A Woman's Place-Framing the Future
Saturday, April 4, 2026
11:00 AM
Ticket Info
Buy Tickets
Contact Information

If you have questions about this event, please email: tickets@ebellofla.org or call 323-931-1277 x 131.

Location
Wilshire Ebell Theatre
4401 W 8th St.
Los Angeles, CA 90005

The views and opinions expressed by guest speakers and artists are their own and do not necessarily reflect the official position or opinions of The Ebell of Los Angeles.